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METAFILM dreht seit 2002  auf dem neusten professionellen HD Equipment.

Arri Alexa

Flexibility, power and economy. ALEXA is a compact and lightweight digital camera that will redefine the limits of digital motion picture capture with ultra-fast workflows and image quality akin to 35 mm film. From major motion pictures and high end dramas to commercials, music promos and mainstream television, ALEXA suits a wide variety of applications and budgets.More than just a camera, ALEXA represents an entire image pipeline. By combining pro-prietary ARRItechnology with ubiquitous, best-of-class tools from industry-leading partners, ALEXA stands alone as the most complete and powerful digital production system ever built.
ALEXA produces images that have the organic look and feel of film, delivering incredible production value at an affordable cost.
The use of 35 mm PL mount lenses allows cinematographers to manipulate focus and depth of field to create the kind of rich and spellbinding pictures that audiences
associate with cinematic storytelling.

Weisscam HS2 MKII

The WEISSCAM HS-2 MKII is the newest, uncompressed digital highspeed camera for framerates up to 4.000fps. It is develepod as a standalone camera aiming especially the needs of cinematographers. Coming with an easy workflow, two Streams (RAW + HD) via HD SDI, two formats (4:3 + 16:9) and cinema-style images, it is designed to offer you the
freedom of shooting either in HD or RAW mode.
The WEISSCAM HS-2 has a full Format Super35 CMOS Sensor with a global shutter. By using the Interchangeable Mount System (IMS) from P+S Technik you can attach nearly every lenses on the camera (PL Mount, Nikon F-Mount, Panavision Mount, etc.) and also change the Mount within a few seconds.
The output of the WEISSCAM HS-2 offers two Streams at the same time and uses the HD SDI interface for both signals.
HD SDI single and dual link interface.
The HD stream offers YCbCr in 4:2:2. You can choose between linear standard curves like ITU-R 709 or log curve for higher contrast range within the HD SDI image.
The RAW stream is a 12Bit uncompressed Weisscam RAW file and gives you the freedom to debayer in post production.
In conjunction with the WEISSCAM DIGIMAG DM-2, you are able to record both formats via HD SDI: YCbCr and RAW.
An intelligent master/ slave DC/DC power management, saves the camera from any short circuit and makes it needless to turn off the camera for a battery change.
A lot of mounting possibilities allows you to connect additional accessories like onboard monitor, lens control system, etc. and power them by the several outputs of the DC/DC board.

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